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Ausstellung im british museum, London über Hexerei und das damit verbundene Frauenbild


This exhibition will examine the portrayal of witches and witchcraft in art from the Renaissance to the end of the 19th century. It will feature prints and drawings by artists including Dürer, Goya, Delacroix, Burne-Jones and Dante Gabriel Rossetti, alongside classical Greek vessels and Renaissance maiolica. They are shown as monstrous hags with devil-worshipping followers. They represent an inversion of a well-ordered society and the natural world.


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Blake, 1795

  • Agostino Veneziano (circa 1490-1540), The Witches’ Rout (The Carcass). A Witch Riding Skeleton (circa 1520). Engraving
  • Hans Baldung Grien (1484-1545), The Witches’ Sabbath (1510). Chiaroscuro woodcut, orange brown
  • Albrecht Dürer (1471-1528), A witch riding backwards on a goat, with four putti, two carrying an alchemist's pot, a thorn apple plant (circa 1500). Engraving
  • Francisco de Goya y Lucientes (1746 - 1828), They spin finely (Hilan Delgado), Los Caprichos, plate 43 (1799). Etching, aquatint, drypoint and burin
  • John Raphael Smith, after Henry Fuseli (1741-1825), The Three Weird Sisters from Macbeth (1785). Mezzotint
  • Edward Burne-Jones (1833-1898)
  • Dante Gabriel Rossetti (1828-1882)
  • Jan de Bisschop - Terror: Witches were often depicted riding supernatural creatures as seen here 
  • Odilon Redon (1840-1916)
  • William Blake, The Triple Hecate (ca. 1795 Bild)


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